Omnipresence documentary1/30/2024 In a lecture the voice of a Polish archeologist sets out the explorer’s fragmentary record and speculates on its purpose. ![]() The explorer’s encounters are interpreted by a distant researcher, the first “Stalker”. There are artefacts space junk, lawn mowers, wires, over engineered items left over from the cult-of-iron. Giant factories occasionally appear in the wilderness, seen from afar. The omnipresence of the alien force remains in the forms they left behind.Īn explorer ’s video documentation tries to discern meaning in what they, the unseen aliens, discarded. The great emptiness preys on the imagination. Lizards and birds look on at these vestiges of the civilising endeavour. Only their aspirations remain, in the designs of their shelters. The post-colonial landscapes, helpfully enabled for road-side dinning by the architects of the setter state, are de-populated. Explorations are of places affected by bushfires, feral animals, dam sites, infra-structure projects such as prospective space-bases in the Kimberly and dam sites. In each episode an unseen voice, a “Stalker”, guides the viewer. Inspired by the science-fiction novel “roadside picnic” and the poems of Les Murray.Ī series of short(<10 min.) hybrid documentary films set around situations that exist on the margins of dominant narratives. The show has currently been released solely in USA.An experimental on-line documentary film series in development. She features in the third episode, titled God and Art. Sangeeta Abhay was also selected to featured in BBC’s seminal documentary ‘Civilization’, shot in 31 countries across 6 continents. He has also dedicated a poem for her solo show at Jehangir Art Gallery. Moved by her work and tied by their common devotion to Buddha, Padma Bhushan and Grammy awardee Gulzar (Indian lyricist and poet) has penned couplets for five of Sangeeta’s artworks. Pushpa Dravid, and many other accomplished individuals. Her impressive works of art have earned her praise from His Holiness the Dalai Lama, filmmaker Shyam Benegal, Narayan and Sudha Murthy, noted painter and researcher Dr. She works extensively with gold leaf in her oil paintings, and has created sculptures using various materials including resin and discarded keyboards. Sangeeta’s signature artistic style is defined by the use of highly complex techniques and spectacular detailing, resulting in a surprising visual simplicity, that has the same soothing effect as Buddha himself. In Sangeeta’s own words, “My quest for the Buddha continues.” The artist sustains her fascination with the Bodhi Tree, under which the Master attained Nirvana. Through her paintings and sculptures, Sangeeta tries to unravel different facets of the life and teachings of Lord Buddha. ![]() She was invited to participate in the prestigious Florence Biennale XII in 2019, where she received critical acclaim for her work from the international community, and was also awarded for her anamorphic sculpture fusing science with art. Sangeeta Abhay has participated in multiple group exhibitions and held solo shows in different parts of India, the US, and Indonesia. ![]() Her first solo exhibition was held in Bangalore in 2008. Throughout this time, she had a searing desire to spread the message of Lord Buddha, and so she finally decided to translate this vision on to a canvas. After getting married, Sangeeta Abhay moved to Bangalore and worked in advertising for 14 years at McCann Worldgroup. A graduate of the Government College of Art, Aurangabad, she secured the first rank in her BFA degree at the University, which earned her a fellowship. Born into the lap of art and culture in Buldana, Maharashtra – a quaint town close to the famous Ajanta Caves of India, Sangeeta Abhay has dedicated her art to the life and teachings of Gautam Buddha.
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